Austin’s Agent Red and Sky Candy collaborated to craft a full-length stage show, adapted from Matthew Pallamary’s award-winning novel “Land Without Evil”. Agent Red and Sky Candy’s co-founder and Artistic Director Chelsea Laumen are directing. Land Without Evil, a collaboration between almost 50 artists, aerialists, dancers, contortionists, performers, singers, musicians, and actors, is showing at The Stateside at the Paramount for 8 select performances from Sat. Dec. 8 – Sun. Dec 16th.
Rehearsals and performance are the subject of the Emmy-winning PBS series Arts in Context, premiering nationally January 2013. The show explores a boy’s conflict between the spiritual beliefs of life in the Mission and the visions of his father, the shaman of a threatened tribe, forced into a perilous journey through the rainforest in a quest for the mythical Land Without Evil. With a narrative richly told through aerials and acrobatics, dance, flow arts, ASL, music, and vocal performance, this visually dynamic show will feature stirring, new music and performance by local artists, including SORNE, and ground-breaking video-mapping by internationally renowned projection artist João Beira, and visionary art provided by Jesse Noemi.
GET TICKETS FOR THE SHOW
Just when you think the music couldn’t get any better, it does.
I should know, my first Hot Tuna show was in 1972. Back then I had a seat on stage
(a trunk), behind the band, my uncle being the concert promoter. Mesmerized, I watched the band play with Papa John Creach (former member) on the Fiddle. Today I’m still in awe of these legendary musicians.
I’ve been crossing paths with Hot Tuna ever since. There were my high school years, shows in Commack, Belmont Racetrack (Jorma with rainbow-colored hair), the infamous Lone Star Cafe a few blocks from home in the West Village. There was my neighbor down the hall in the dorm at college, one of Hot Tuna’s future booking agents, now tour manager. The iconic slogans used along the way and the audience screaming, “Hot _’n Tuna”, “Jorma Saves”, “If you don’t know Jorma, you don’t know Jack”, “Got Jorma?”
It was a stellar acoustic show!
And an unusually cool July evening in Austin, set against a beautiful sunset in the Texas
Hill Country. In this incarnation, Hot Tuna was composed of the Acoustic Trio, Jorma Kaukonen, Jack Casady and Barry Mitterhoff. It was my first, I hope of many shows in this intimate setting at the The One World Theater. The co-Founder and Executive Director, Hartt Stearns graciously offered us seats in the front of the house.
Hot Tuna played classics as well as new tunes off the latest studio recording entitled, “Steady As She Goes”, produced by Larry Campbell at Levon Helm’s in Woodstock N.Y.
“We got the wondrous Cindy Cashdollar to sit in with us”– Jorma Kaukonen
Full of good surprises, Hot Tuna brought Cindy Cashdollar out on Dobro and Steel Guitar. Cindy is a stunning talent and adds a wonderful dimension to the Hot Tuna sound. Jorma was thrilled to have her back for the evening (she toured with Hot Tuna in 2006). An Austin resident, be sure to check Cindy out on Wednesdays at The Saxon Pub.
Whether it’s Roots, Blues, Acoustic or Electric, Hot Tuna keeps it fresh. Over the years they’ve had a rotating cast of musicians that have performed with the band. Well known talent such as GE Smith, Charlie Musslewhite, Steve Kimock to Jim Lauderdale and John Hammomd, just to name a few. Back at home in Ohio, Jorma with his wife Vanessa, run a guitar camp at the Fur Peace Ranch. Some of the musicians that tour and record with Hot Tuna are guest teachers at the ranch. If this isn’t enough, Hot Tuna still continues to tour the world, with recent stops in Israel and China.
It was a great evening of old and new friends. I had the pleasure of meeting Cash Edwards, Hot Tuna’s Austin based Publicist for a second time. We first meet at the monthly networking luncheon for Woman in Music Professional Society, (WIMPS). Austin, The Music Capital of the World, is happy Hot Tuna has us back on their touring schedule this year and hope to see them again next tour. Their dedication continues to shine through their music putting big smiles on many faces.
- Steady As She Goes, Top 10, 2011: www.hottuna.com/category/steady-as-she-goes
- Hot Tuna go to: www.hottuna.com
- Fur Peace Ranch: www.furpeaceranch.com
- Cindy Cashdollar go to: www.cindycashdollar.com
- The One World Theater: www.oneworldtheatre.org
Blog by Lucas
On Sunday June 24th, I attended an inspiring night of community, music and art.
It was the 6th Annual Global Roots fundraiser held at CTC Garden in East Austin to benefit the Global Youth Peace Summit. The event was presented by the Amala Foundation along with CTC International, Urban Roots, The Austin Junior Chamber of Commerce, The Khabele School, and Generous Art.
It was certainly a lively and engaging night of live global music. The line up included Bamako Airlines, Minor Mishap Marching Band, Hard Proof Afrobeat. The evening was kicked off with ZaBoomBa: An Interactive Drum Experience, lead by Kenya Masala. He had the crowd drumming in call-and-response style that brought us all into focus.
It was fantastic.
There was a silent auction and an art show presented by Generous Art which included work by Jennifer Chenoweth whom I recognized from the East Austin Studio Tours. Aside from being an accomplished artist, she cooks a great Posole, but that’s another blog. Speaking of food, delicious Indian cuisine was available on sight, à la Austin trailer style. I enjoyed a plate of spicy lamb stew and rice among good company.
This year’s Global Youth Peace Summit, August 12-19th will unite 70 youth from 25+ different countries for an 8-day youth summit devoted to cultural exchange, heart-centered dialogue, healing, and exploration of self and world.
As of post date, The Amala Foundation raised $4,000 which will enable them to purchase airline tickets so that two Kenyan youth will be able to attend this year’s Global Youth Peace Summit. While they have yet to raise enough money to cover their passport, visa and scholarship fees, we trust that this funding is on its way ($2500 additional).
It was a delight to meet Maya Adjani, of Breathe, Eat, Dance, Evolve and to sample her home-made raw chocolates.
If you feel inspired to help support these youth as well as other under-served, local and international children in their efforts to make a difference in their communities and in their lives, you can make a tax-deductible donation by visit: www.amalafoundation.org/donate.
For more about the Amala Foundation and the Global Youth Peace Summit
Blog by Lucas
by Margie Eades
If you have seen a group of excited people painting on giant 6 x 8.5 ft. canvases in various high-traffic locations around Austin, you have likely witnessed the magic of Big Ass Canvas (BAC) in action. BAC was founded earlier this year by two incredibly passionate and energetic young men, Travis Huse and Zach Horvath. Their idea is to build a large canvas, put it in a public place with some paint and brushes, encourage passers-by to paint, and see what happens. While it might seem simple in principle, BAC is implemented with a distinct purpose: “to encourage community access to the creative process” while promoting local community organizations and causes like the youth mentorship program, Explore Austin, and the Seton Healthcare Family’s pledge to upgrade Austin’s University Medical Center Brackenridge.
Zach, an Austin native, and Travis, originally from Anchorage, Alaska, met through CouchSurfing, a popular social network for backpackers and travelers all around the world. Sharing a penchant for helping people and making new friends, the two came up with the idea for BAC and set up their first blank canvas on The Drag (Guadalupe St. across from UT campus) in May of 2012.
I met the boys nearly ten color-filled canvases later at the 101X Summer Cinema Series at Central Market North Lamar, then caught up with them again at their “Big Ass Party” at Lustre Pearl on Rainey Street, a fundraiser for Explore Austin. Both Travis and Zach are outgoing and charismatic and, as evidenced by the defining characteristics of their artistic social experiment, love learning and sharing ideas with people.
Zach is an ambitious entrepreneur (ZCLOCO, Action Catalyst) who has chosen an unconventional educational and career path. Within a matter of days he will be departing on an open-ended trip to Europe with hopes of exploring both the world and himself. If you want to catch Zach before he leaves, you will probably find him wearing a dress shirt and shorts, a tie tucked into his shirt (so it doesn’t get paint on it, of course) and some red rubber boots or other funky accessory.
Lean and tall, Travis is just as hard to miss. He’ll be manning BAC for the rest of the summer so be on the lookout for his signature bowtie and thick-rimmed spectacles. Travis is an Austin transplant, but spend one minute talking with him and you will realize that his enthusiasm for inspiring and connecting the Austin community comes from the heart.
Their outlook on life and their determination – and ability – to make a difference in the world is refreshing.
Check out my short interview with the men of BAC as well as a video about their project below:
Do you have any events planned for selling the canvases?
Zach: We are still working on that. It would be great to have a gallery event where we could invite people to check out the artwork and bid on the canvases.
Travis: Currently we are marketing the canvases privately but haven’t sold any yet. However, we recently obtained permission to display the canvases in the downtown 2nd Street District which will provide exposure to people who support the arts and local Austin organizations. (Please contact firstname.lastname@example.org if you are interested in purchasing a canvas).
Have you had any negative reactions to BAC’s name? I’ve seen children working on the canvases and wonder if their parents have any problem with the word “Ass”.
Z: We’ve had one or two negative responses, but for the most part our name and tagline are a hit.
You will be at Summer Cinema and Blues On the Green throughout the summer – then what?
T: BAC will continue to do events all summer and is continually gaining recognition, including press from KUT News [link] and Study Breaks Magazine. Many organizations have expressed an interest in having BAC at their events to cross-promote and raise awareness for different projects. We love meeting other people who want to pool resources to achieve something awesome in Austin and look forward to seeing where BAC takes us.
Why did you specifically choose to support Explore Austin and Seton’s Brackenridge?
Z: We chose Explore Austin because we are both adventurous people who want to encourage kids to experience their world in new ways. It just seemed to fit when we were looking for an organization to support. Brackenridge and Seton chose us after they saw what we were doing with BAC.
It is always great to see people pursuing their own projects rather than falling into the traditional school and work routine - but it is not always easy to take the unconventional road. What are your musings on entrepreneurial life?
T: We decided to implement BAC because it was something we could get excited about even though it is a struggle to make it financially sustainable in the short-term. These passion projects are a way to do what you love even when it doesn’t fit in the confines of the traditional 40 hour workweek formula.
Z: If you look around and see that you are walking in the same direction as a huge mob of people, run the other direction. Nothing good happens when the crowd is doing the same thing. It’s always good to be your own person, to take risks, to embrace the unknown, and to break a few rules in order to make a change in the world.
What are your personal aspirations for the future?
Z: I want to a life that allows me personal autonomy while creating a product or running a business that enables me to make a difference in the world. I want to do cool stuff with cool people and inspire others to do the same, to break out and explore and be themselves and not be boring “normal” people.
T: It’s important to me to be doing something I love. Austin is a place where people support homegrown efforts and it’s a great place to be creative and meet creative types. These attributes combine to make a recipe for a strong community. That is the kind of world I want to contribute to.
UPCOMING EVENTS & LINKS:
101X Summer Cinema Series – Free Movies at Central Market N. Lamar!
Wednesday, June 6: Mean Girls
Wednesday, June 20: Drop Dead Fred
Tuesday, July 3: Captain America
Wednesday, July 18: Casino Royale
Wednesday, August 1: Wayne’s World
Remember your blankets, lawn chairs and an appetite. Summer Cinema will have $2.50 Blue Moons and great food from Central Market. Movies start at sun down. Thank you to our amazing sponsors who make this event possible!
93.3 KGSR Blues on the Green – Free Shows at Zilker Park!
KGSR’s Blues on the Green returns to Zilker Park for it’s 22nd season!
As Austin’s largest FREE concert series KGSR’s Blues on the Green is consistently ranked as a top annual entertainment event and has become a staple of the Austin lifestyle and a very casual and comfortable experience. JOIN THE BLUES ON THE GREEN TEXT ALERT CLUB – text “BLUES” to 43981 to be the first to learn about this years show line-up!EVENT DATES:
May 30th – Charlie Mars w/ Max Gomez opening
June 13th – Rhett Miller w/ Wheeler Brothers opening
June 27th – Ben Kweller w/ Amy Cook opening
July 11th – BoDeans
July 25th – Marci Ball w/ Nakia opening
August 8th – TBA
BIG ASS CANVAS
Follow Zach’s trip to Europe: http://www.zcloco.com/
- This is not Medium Ass Canvas, It’s Big Ass Canvas: A Look Back on our First Sponsorship (ourpangea.wordpress.com)
Written by Pulitzer Prize and Academy Award-winner HORTON FOOTE
Directed bySTEVEN DIETZ (Doubt, Shooting Star and Becky’s New Car)
Last weekend I visited the ZACH Theatre for the first time ever for the opening weekend of Fully Committed. I was fortunate to have the opportunity to return less than a week later for ZACH’s production of Dividing the Estate, written by the celebrated Texan playwright, Horton Foote (1916 – 2009).
The play follows the familiar dysfunctions of a Southern family, exaggerated by financial troubles and imperturbable greed. The Gordon children and grand-children constantly bicker about the future of their family’s historic – and valuable – estate, while Mamma Gordon (excellently portrayed by Marijane Vandivier) prefers to reminisce on days of a bygone era with her elderly servant, Doug (Eugene Lee).
If nothing else, Foote’s play serves as historical record of Texas in the 1980s: a Texas where big money and big hair ruled society and a strange sort of veiled racism still tinged the Southern mindset. I would even go as far as to say that this production of the play presents an opportunity for a brutally honest analysis of present-day Texan mentality towards issues such as race. It was painful to see the characters of Mildred (Janis Stinson) and Cathleen (Sharayah Reed), the estate’s domestic workers, reduced to the stereotype of the large, overbearing Mammy figure. Historically, the Mammy archetype is one of the two roles (the other being the sensual Jezebel stereotype) that have been imposed upon Black actresses throughout the history of popular entertainment.
However Foote must have been aware of the weight of the topic he was dealing with when writing the roles of the Black female domestic workers into the play, right? He did write the screenplay for To Kill A Mockingbird (1962) after all. My concern on Friday night was with how many of Foote’s fellow Texans actually caught on to the seriousness of these depictions. With the audience’s hearty laughter at every cliché “Mmmhmm” and cheeky comment made by the cook and her helper, I had to wonder how many others in the audience were having the same considerations I was about the historical and racial implications of these women’s roles in the script. Perhaps the fact that young Cathleen is attending a junior college while Emily and Sissy Gordon and their thick-headed mother Mary Jo can hardly do simple division presents a more accurate statement from Foote about the status of African-Americans in the South.
Mary Jo’s character, defined by relentless greed and a bad case of “youngest child syndrome”, is responsible for setting the tone of the entire drama. Unfortunately on Friday night, the lively actress Barbara Chisolm was unable to perform due to a death in the family and was temporarily replaced by Lauren Lane. While Lane played her new role bravely and whined and schemed very convincingly, her reading from a script inevitably took away from the play as a whole.
Marijane Vandivier’s portrayal of Stella “Mamma” Gordon hit straight to home, as I already mentioned. Her facetious quips about “overly educated women” divorce, living through the Great Depression, God’s wrath, reinstating plantation life, and Baptists versus Methodists are quintessentially “Southern grandma”. Whether it is her quirky and stubborn feminine ways or her pursed pink lips and permed white hair, there is something in her character that will remind every Texan of their grandmother. Her comments alone are revealing of the philosophy on life native to the South and make Foote’s play and ZACH’s production worth seeing.
Catch Dividing the Estate in its last weekend on the Kleberg Stage. A few more performances have been added due to popular demand. Get your tickets while you still can!
As part of our effort to expand Austin Creative Alliances’ support of the greater creative community, we are happy to showcase one of our newest, local fashion designers.
I met up with Csilla while she was hard at work cutting fabric for her next pattern. It’s impressive to meet this “hands-on” designer that retains a craft we rarely see in American-made fashion. As a young girl watching her grandmother sew, Csilla soon learned the skill. She explains that her passion for clothing design began while in High School, when she began making her own wardrobe and her own fashion statement. It blossomed from there.
“For my summer job at a local high-end boutique and seeing those cool clothes in the boutique gave her the idea. I put two and two together and bought one yard of fabric here and there and made a new dress or top every day through that summer”.
As a student at University of Texas, Csilla studied Interior Design and subsequently moved to New York to pursue a fashion career. Beginning with studies at Fashion Institute of Technology, lead to an internship with Nautica and eventually full-time positions with Liz Clairborne and Macy’s. After years of working in the corporate world, Csilla felt it was time for a change. With the support of her sister and friends she took the leap and went out on her own. CsillaWear was launched in New York City.
A Night to Indulge in Fashion and Beauty: CsillaWear recently hosted a fitting party to introduce her line to the broader Austin community where woman were invited to try-on the variety of her styles.
Csilla’s designs are inspired by fabric, movement and silhouettes. She chooses an array of lively, colorful patterns to create fun to wear, elegant designs. Her international background influences her sophisticated styles, while all her creations have a natural, easy fit. Perfect for Austin.
Professional hair stylist, Deborah Lira and makeup artist, Lecia Harkins of Russ and Company Salon www.russandcompanysalon.com were also on site for all to enjoy a fresh look along with these stunning designs.
If you are looking for fashion with ease, dress it up or down, this is the place to shop, you’ll want to add a few styles to your wardrobe. Stop by and meet the lovely designer behind CsillaWear. Located at 504 Congress Ave. (at 5th St), Austin, TX. Hours M-F 11- 6pm, Saturdays 11-4pm.
Blog by Lucas
I spoke with NYC based Paul Bright about his most recent project, a sci-fi feature film called “Goliad Uprising.” This is his sixth feature film and is set to premiere June 21st at the Spirit Theater at the Bob Bullock Museum in Austin at 7:30 p.m.
Tell me about your film and why you choose the name “Goliad Uprising”?
The film is really a David and Goliath story. It’s about a small underground group of people who are trying to fight a large corporation. Goliad and the name Goliath are so very similar, they kinda suggest alliance. The town of Goliad in Texas where the local citizens were revolting against the government in power at the time, in this case, the Mexican Government. So it has a similar tale in some ways and the local citizens were rising up to assert their rights to gain their freedom. That’s why I thought “Goliad Uprising” was an appropriate title for the film.
How have recent events such as “The Occupy Movement”, “Arab Spring” and the “Syrian Rebellion” all which have been supported through Social Networking sites, make your film more timely?
When I wrote the script it was before anything was coming about in the Arab Spring and certainly before the Occupy Wall Street came into play. The script is about how large media in the United States influencing how people think and feel about whats going on in the world based on the information that they give or that they fail to give.
What I’ve been seeing is that our country has become very polarized in terms of personal opinion but a lot of that has to do with the fact that people aren’t really getting the whole story or balanced views from the media.
Whats going on with the Arab Spring and Occupy Movement is that there is a whole group of people who are rebelling against the people who are in power in each of these countries and It’s very similar to what’s going on in the film “Goliad Uprising”.
The way “Goliad Uprising” originally came about is that I noticed that in the United States, people were starting to protest at political rallies and they were being arrested and tasered and dragged off. I am a bleeding heart liberal, I will gladly admit to that. However, what I was seeing is at these rallies was that people who were not protesting, the people who I thought would be concerned and empathetic to different points of view of those who were demonstrating, were not at all. The security was in fact very harsh to the people who were very silently standing up and protesting.
So I realized that we have a real problem in our own country here…that it’s no longer acceptable to even exercise our first amendment rights of disagreeing and the act of disagreeing somehow becomes an illegal act. and so that is why I wrote this film as a statement of protest of how our society is evolving and starting to accept that we will approve of and tolerate and go along with whatever the people in power are doing.
How do you see Social Networking movements like the “Goliad Uprising” fitting into the plans for your movie?
In the story of the film, the way the rebels, the protesters are getting together is through tweets and online text messages and basically having flash mobs. Same that was going on with the uprisings in the Arab World, the Middle East, is that people were finding a place to protest because it’s so easy and instantaneous nature a lot of this can take place anonymously allows people to gather very quickly and protest. Much can be done without having to risk the full extent of one’s identity. That is very similar to what’s going on in the storyline of the film, people are able to get together rather quickly using social media. In the film, even just the basic nature gathering together just to do this, they put on a performance rallying people around realizing and informing them that the technology is very dangerous. Just the simple act of stating this, is ruled to be illegal. Compare it to a fire in a theater, in the film there are 4 police raids and people are being held down because they are there to protest the power of this corporation.
How do you see media sites assisting you in your endeavor?
It’s about spreading the word. It also gives people a chance to interact back and to give feedback to what their experiences are in life. Social Media has put me in contact with people who have seen his films literally, all over the world. I hear from them what they think about the movie and what issues are going on in their lives, their concerns. By interacting this way and commenting on each others’s posts with the these people in the greater community, separates it from broadcast media which simply puts the news out there and there no way to hear your audience.
In the film world, what has happened very recently, within the last couple of years, is that filmmakers are starting to realize that the only way that we can do our work is with the support of our community.
This film, “Goliad Uprising” was funded entirely by donors who came to him through his social media contacts, through Facebook none of which he knew personally, at all. This was all from people who he meet online and who have supported his work in the past by watching it and wanted to see me continue to make these stories that they relate to that mean something to them.
Why did you choose Austin for the premiere?
Well that’s a no brainer, Austin is where the film was shot, there are 97 actors in the film and most of them are from Austin and it is where I have shot my previous 5 films. Austin is known for being a really cool town and very receptive to film.
Yes, Austin has a reputation for being loved, people say good things about Austin.
For detailed information on the screening go to: www.nowplayingaustin.com/event/detail/441586509/GOLIAD_UPRISING_World_Premiere
Also see Facebook page: /www.facebook.com/goliaduprising
Blog by Lucas
Interview courtesy of AM/FM Magazine
Habitable Spaces Project is a self-sustaining farm and artists residency in Kingsbury Texas, located about one hour South East of Austin and occupies approximately 120 acres.
I spoke with the founding directors, Alison Ward and Shane Heinemeier. Shane is a native Texan and painter, Alison is a sculptor, performance and video artist. Together they bring a range of resources, talent and experience to the project. The idea for Habitable Spaces Project began in NYC, where they both participated in the artists collective/residency program at the Flux Factory, www.fluxfactory.org
Alison had another “off the grid” experience at the Waterpod Project, www.thewaterpod.org While living on a barge for five months, she with the other inhabitants embraced community living, self-reliance, resourcefulness, human expression and creative exploration. “Working in a collective atmosphere with other artists was informative and inspiring” and this is what fuels their vision for the Habitable Spaces Project.
The Habitable Spaces Project was Alison and Shane’s “natural next step” in their evolution as artists. They believe this project can bring awareness to the greater art world by example, “Art as Life, Life as Art”. “Alison explains, “Art has become separated from life and is isolated in museums and galleries.” Habitable Spaces Project will offer an experience of “living art” by making every action thoughtful and creative. An example of this maybe in the way one chooses to farm, compare this to how a painter might contemplate a stroke on a canvas.
Habitable Spaces Project offers a place for artists to expand on their creativity and integrate this with everyday living on the land. It’s a place for exploring new techniques and practices by implementing sustainable solutions.
Ben Devoe and Dave Perez, traveled from NYC and were the first team on site to construct the initial structures at Kingsbury. Their task was to build shelter and work spaces while living off the land. Building required resourcefulness, using mostly dead trees left from the previous years drought, which served as posts for the kitchen structure and were tied with rope. Scrap pallets from a local business served to build a tool shed. Dave Perez tells me that “Living off the land and hunting for food heightened his experience of survival, this experience really brought everyone together.”
Still in early stages of development, there is hard work ahead. Water, outhouses and recycling need to be thought out. To follow the progress of the Habitable Spaces Project, or to get involved, go to http://www.habitablespaces.org
Blog by Lucas
The Music Bus ROCKS! is a fully interactive music technology classroom that provides a hands-on learning environment for each and every student. Students are able to take advantage of on board computers and music technology software. The Bus is outfitted with a full digital piano and acoustic drum set. They teach every instrument family on the bus and have a high regard for cross training and being able to see, touch, and hear other instruments.
This year, The Music Bus ROCKS! has been invited to Wakarusa Music Festival, a grassroots festival nestled in the Ozark Mountains of Arkansas where the beauty of nature synchronizes with the euphoric sounds of live music. They have programming for the festival that will include a junkyard orchestra ensemble with instruments that will be made from re-purposed hardware materials and supplies. In addition, every day of the festival The Music Bus ROCKS! will hold drum circles, jam sessions (in which audience members are strongly encouraged to participate) and music education workshops.
Their ability to be able to share this creatively educational experience with patrons of Wakarusa will give them the ability to spread the word about their work and eventually build a potential donor base that will help partially fund our aspirations of beginning a Non-Profit sponsored project version of The Music Bus ROCKS! that covers a broader spectrum of the arts (visual art, music, dance, theatre, physics of movement, etc.).
The Music Bus ROCKS! wants to be able to share the gift of music with as many people as possible and believe that Wakarusa will give them the visibility that they will need in order to boost donor funds for our sponsored project version of The MBR! They’ve expressed the desire to go into the areas of Austin that are losing arts programs due to federal and state budget cuts and reinstate to children the profound value that the arts have on our personal well being.
By invitation from Deborah Fleming, President of Famosa Entertainment, I attended the 2012 VIP, season kick-off party hosted at “The Glenn”, the backstage area of “The Backyard” on Thursday evening, April 19. I had the great pleasure of meeting some influential people who make music happen here in Austin.
Our hosts, owner of “The Backyard” and famed concert promoter, Tim O’Connor (Direct Events, Zona Rosa) with philanthropist, music lover and Austin resident, John Paul DeJoria (Paul Mitchell and Patron), served Wahoo’s fish tacos and presented live music talent, Zack Walther and The Cronkites.
“The Backyard” is an impressive outdoor venue, now in their third season at this location on Bee Caves and 71 and provides easy access from all points in Austin. “The Backyard” serves the greater Austin community by providing a “down home” atmosphere making it a comfortable venue for all to enjoy. It’s a place where you can bring the whole family, it’s kid friendly and eco-conscious. The intention behind this unique venue, is to bring people together and make them feel like they are a part of something. Not unlike days at the Armadillo World Headquarters where people could relax, enjoy and catch great acts.
We feel that as the world progresses, and the frequency rises, that people have to feel more down to earth, and feel the earth and be at home. We feel we’ve accomplished that here with this unbelievable site – John Paul DeJoria
Keep an ear out! The scope of talent being presented at The Backyard promises to deliver. Talent includes both local and national acts, known as well as up and coming artists. The first show this season opened on Saturday the 21st, with Willie Nelson, Paula Nelson and special guests. Check out the full season lineup at http://thebackyard.net/2011/
“The Backyard” is tailored for our community so come be a part of the history and future of music that Austin prides itself on. Thanks to the people behind the scenes who keep the music playing!
Blog by Lucas