Austin’s Agent Red and Sky Candy collaborated to craft a full-length stage show, adapted from Matthew Pallamary’s award-winning novel “Land Without Evil”. Agent Red and Sky Candy’s co-founder and Artistic Director Chelsea Laumen are directing. Land Without Evil, a collaboration between almost 50 artists, aerialists, dancers, contortionists, performers, singers, musicians, and actors, is showing at The Stateside at the Paramount for 8 select performances from Sat. Dec. 8 – Sun. Dec 16th.
Rehearsals and performance are the subject of the Emmy-winning PBS series Arts in Context, premiering nationally January 2013. The show explores a boy’s conflict between the spiritual beliefs of life in the Mission and the visions of his father, the shaman of a threatened tribe, forced into a perilous journey through the rainforest in a quest for the mythical Land Without Evil. With a narrative richly told through aerials and acrobatics, dance, flow arts, ASL, music, and vocal performance, this visually dynamic show will feature stirring, new music and performance by local artists, including SORNE, and ground-breaking video-mapping by internationally renowned projection artist João Beira, and visionary art provided by Jesse Noemi.
GET TICKETS FOR THE SHOW
Just when you think the music couldn’t get any better, it does.
I should know, my first Hot Tuna show was in 1972. Back then I had a seat on stage
(a trunk), behind the band, my uncle being the concert promoter. Mesmerized, I watched the band play with Papa John Creach (former member) on the Fiddle. Today I’m still in awe of these legendary musicians.
I’ve been crossing paths with Hot Tuna ever since. There were my high school years, shows in Commack, Belmont Racetrack (Jorma with rainbow-colored hair), the infamous Lone Star Cafe a few blocks from home in the West Village. There was my neighbor down the hall in the dorm at college, one of Hot Tuna’s future booking agents, now tour manager. The iconic slogans used along the way and the audience screaming, “Hot _’n Tuna”, “Jorma Saves”, “If you don’t know Jorma, you don’t know Jack”, “Got Jorma?”
It was a stellar acoustic show!
And an unusually cool July evening in Austin, set against a beautiful sunset in the Texas
Hill Country. In this incarnation, Hot Tuna was composed of the Acoustic Trio, Jorma Kaukonen, Jack Casady and Barry Mitterhoff. It was my first, I hope of many shows in this intimate setting at the The One World Theater. The co-Founder and Executive Director, Hartt Stearns graciously offered us seats in the front of the house.
Hot Tuna played classics as well as new tunes off the latest studio recording entitled, “Steady As She Goes”, produced by Larry Campbell at Levon Helm’s in Woodstock N.Y.
“We got the wondrous Cindy Cashdollar to sit in with us”– Jorma Kaukonen
Full of good surprises, Hot Tuna brought Cindy Cashdollar out on Dobro and Steel Guitar. Cindy is a stunning talent and adds a wonderful dimension to the Hot Tuna sound. Jorma was thrilled to have her back for the evening (she toured with Hot Tuna in 2006). An Austin resident, be sure to check Cindy out on Wednesdays at The Saxon Pub.
Whether it’s Roots, Blues, Acoustic or Electric, Hot Tuna keeps it fresh. Over the years they’ve had a rotating cast of musicians that have performed with the band. Well known talent such as GE Smith, Charlie Musslewhite, Steve Kimock to Jim Lauderdale and John Hammomd, just to name a few. Back at home in Ohio, Jorma with his wife Vanessa, run a guitar camp at the Fur Peace Ranch. Some of the musicians that tour and record with Hot Tuna are guest teachers at the ranch. If this isn’t enough, Hot Tuna still continues to tour the world, with recent stops in Israel and China.
It was a great evening of old and new friends. I had the pleasure of meeting Cash Edwards, Hot Tuna’s Austin based Publicist for a second time. We first meet at the monthly networking luncheon for Woman in Music Professional Society, (WIMPS). Austin, The Music Capital of the World, is happy Hot Tuna has us back on their touring schedule this year and hope to see them again next tour. Their dedication continues to shine through their music putting big smiles on many faces.
- Steady As She Goes, Top 10, 2011: www.hottuna.com/category/steady-as-she-goes
- Hot Tuna go to: www.hottuna.com
- Fur Peace Ranch: www.furpeaceranch.com
- Cindy Cashdollar go to: www.cindycashdollar.com
- The One World Theater: www.oneworldtheatre.org
Blog by Lucas
As part of our effort to expand Austin Creative Alliances’ support of the greater creative community, we are happy to showcase one of our newest, local fashion designers.
I met up with Csilla while she was hard at work cutting fabric for her next pattern. It’s impressive to meet this “hands-on” designer that retains a craft we rarely see in American-made fashion. As a young girl watching her grandmother sew, Csilla soon learned the skill. She explains that her passion for clothing design began while in High School, when she began making her own wardrobe and her own fashion statement. It blossomed from there.
“For my summer job at a local high-end boutique and seeing those cool clothes in the boutique gave her the idea. I put two and two together and bought one yard of fabric here and there and made a new dress or top every day through that summer”.
As a student at University of Texas, Csilla studied Interior Design and subsequently moved to New York to pursue a fashion career. Beginning with studies at Fashion Institute of Technology, lead to an internship with Nautica and eventually full-time positions with Liz Clairborne and Macy’s. After years of working in the corporate world, Csilla felt it was time for a change. With the support of her sister and friends she took the leap and went out on her own. CsillaWear was launched in New York City.
A Night to Indulge in Fashion and Beauty: CsillaWear recently hosted a fitting party to introduce her line to the broader Austin community where woman were invited to try-on the variety of her styles.
Csilla’s designs are inspired by fabric, movement and silhouettes. She chooses an array of lively, colorful patterns to create fun to wear, elegant designs. Her international background influences her sophisticated styles, while all her creations have a natural, easy fit. Perfect for Austin.
Professional hair stylist, Deborah Lira and makeup artist, Lecia Harkins of Russ and Company Salon www.russandcompanysalon.com were also on site for all to enjoy a fresh look along with these stunning designs.
If you are looking for fashion with ease, dress it up or down, this is the place to shop, you’ll want to add a few styles to your wardrobe. Stop by and meet the lovely designer behind CsillaWear. Located at 504 Congress Ave. (at 5th St), Austin, TX. Hours M-F 11- 6pm, Saturdays 11-4pm.
Blog by Lucas
I spoke with NYC based Paul Bright about his most recent project, a sci-fi feature film called “Goliad Uprising.” This is his sixth feature film and is set to premiere June 21st at the Spirit Theater at the Bob Bullock Museum in Austin at 7:30 p.m.
Tell me about your film and why you choose the name “Goliad Uprising”?
The film is really a David and Goliath story. It’s about a small underground group of people who are trying to fight a large corporation. Goliad and the name Goliath are so very similar, they kinda suggest alliance. The town of Goliad in Texas where the local citizens were revolting against the government in power at the time, in this case, the Mexican Government. So it has a similar tale in some ways and the local citizens were rising up to assert their rights to gain their freedom. That’s why I thought “Goliad Uprising” was an appropriate title for the film.
How have recent events such as “The Occupy Movement”, “Arab Spring” and the “Syrian Rebellion” all which have been supported through Social Networking sites, make your film more timely?
When I wrote the script it was before anything was coming about in the Arab Spring and certainly before the Occupy Wall Street came into play. The script is about how large media in the United States influencing how people think and feel about whats going on in the world based on the information that they give or that they fail to give.
What I’ve been seeing is that our country has become very polarized in terms of personal opinion but a lot of that has to do with the fact that people aren’t really getting the whole story or balanced views from the media.
Whats going on with the Arab Spring and Occupy Movement is that there is a whole group of people who are rebelling against the people who are in power in each of these countries and It’s very similar to what’s going on in the film “Goliad Uprising”.
The way “Goliad Uprising” originally came about is that I noticed that in the United States, people were starting to protest at political rallies and they were being arrested and tasered and dragged off. I am a bleeding heart liberal, I will gladly admit to that. However, what I was seeing is at these rallies was that people who were not protesting, the people who I thought would be concerned and empathetic to different points of view of those who were demonstrating, were not at all. The security was in fact very harsh to the people who were very silently standing up and protesting.
So I realized that we have a real problem in our own country here…that it’s no longer acceptable to even exercise our first amendment rights of disagreeing and the act of disagreeing somehow becomes an illegal act. and so that is why I wrote this film as a statement of protest of how our society is evolving and starting to accept that we will approve of and tolerate and go along with whatever the people in power are doing.
How do you see Social Networking movements like the “Goliad Uprising” fitting into the plans for your movie?
In the story of the film, the way the rebels, the protesters are getting together is through tweets and online text messages and basically having flash mobs. Same that was going on with the uprisings in the Arab World, the Middle East, is that people were finding a place to protest because it’s so easy and instantaneous nature a lot of this can take place anonymously allows people to gather very quickly and protest. Much can be done without having to risk the full extent of one’s identity. That is very similar to what’s going on in the storyline of the film, people are able to get together rather quickly using social media. In the film, even just the basic nature gathering together just to do this, they put on a performance rallying people around realizing and informing them that the technology is very dangerous. Just the simple act of stating this, is ruled to be illegal. Compare it to a fire in a theater, in the film there are 4 police raids and people are being held down because they are there to protest the power of this corporation.
How do you see media sites assisting you in your endeavor?
It’s about spreading the word. It also gives people a chance to interact back and to give feedback to what their experiences are in life. Social Media has put me in contact with people who have seen his films literally, all over the world. I hear from them what they think about the movie and what issues are going on in their lives, their concerns. By interacting this way and commenting on each others’s posts with the these people in the greater community, separates it from broadcast media which simply puts the news out there and there no way to hear your audience.
In the film world, what has happened very recently, within the last couple of years, is that filmmakers are starting to realize that the only way that we can do our work is with the support of our community.
This film, “Goliad Uprising” was funded entirely by donors who came to him through his social media contacts, through Facebook none of which he knew personally, at all. This was all from people who he meet online and who have supported his work in the past by watching it and wanted to see me continue to make these stories that they relate to that mean something to them.
Why did you choose Austin for the premiere?
Well that’s a no brainer, Austin is where the film was shot, there are 97 actors in the film and most of them are from Austin and it is where I have shot my previous 5 films. Austin is known for being a really cool town and very receptive to film.
Yes, Austin has a reputation for being loved, people say good things about Austin.
For detailed information on the screening go to: www.nowplayingaustin.com/event/detail/441586509/GOLIAD_UPRISING_World_Premiere
Also see Facebook page: /www.facebook.com/goliaduprising
Blog by Lucas
Interview courtesy of AM/FM Magazine
Habitable Spaces Project is a self-sustaining farm and artists residency in Kingsbury Texas, located about one hour South East of Austin and occupies approximately 120 acres.
I spoke with the founding directors, Alison Ward and Shane Heinemeier. Shane is a native Texan and painter, Alison is a sculptor, performance and video artist. Together they bring a range of resources, talent and experience to the project. The idea for Habitable Spaces Project began in NYC, where they both participated in the artists collective/residency program at the Flux Factory, www.fluxfactory.org
Alison had another “off the grid” experience at the Waterpod Project, www.thewaterpod.org While living on a barge for five months, she with the other inhabitants embraced community living, self-reliance, resourcefulness, human expression and creative exploration. “Working in a collective atmosphere with other artists was informative and inspiring” and this is what fuels their vision for the Habitable Spaces Project.
The Habitable Spaces Project was Alison and Shane’s “natural next step” in their evolution as artists. They believe this project can bring awareness to the greater art world by example, “Art as Life, Life as Art”. “Alison explains, “Art has become separated from life and is isolated in museums and galleries.” Habitable Spaces Project will offer an experience of “living art” by making every action thoughtful and creative. An example of this maybe in the way one chooses to farm, compare this to how a painter might contemplate a stroke on a canvas.
Habitable Spaces Project offers a place for artists to expand on their creativity and integrate this with everyday living on the land. It’s a place for exploring new techniques and practices by implementing sustainable solutions.
Ben Devoe and Dave Perez, traveled from NYC and were the first team on site to construct the initial structures at Kingsbury. Their task was to build shelter and work spaces while living off the land. Building required resourcefulness, using mostly dead trees left from the previous years drought, which served as posts for the kitchen structure and were tied with rope. Scrap pallets from a local business served to build a tool shed. Dave Perez tells me that “Living off the land and hunting for food heightened his experience of survival, this experience really brought everyone together.”
Still in early stages of development, there is hard work ahead. Water, outhouses and recycling need to be thought out. To follow the progress of the Habitable Spaces Project, or to get involved, go to http://www.habitablespaces.org
Blog by Lucas
By invitation from Deborah Fleming, President of Famosa Entertainment, I attended the 2012 VIP, season kick-off party hosted at “The Glenn”, the backstage area of “The Backyard” on Thursday evening, April 19. I had the great pleasure of meeting some influential people who make music happen here in Austin.
Our hosts, owner of “The Backyard” and famed concert promoter, Tim O’Connor (Direct Events, Zona Rosa) with philanthropist, music lover and Austin resident, John Paul DeJoria (Paul Mitchell and Patron), served Wahoo’s fish tacos and presented live music talent, Zack Walther and The Cronkites.
“The Backyard” is an impressive outdoor venue, now in their third season at this location on Bee Caves and 71 and provides easy access from all points in Austin. “The Backyard” serves the greater Austin community by providing a “down home” atmosphere making it a comfortable venue for all to enjoy. It’s a place where you can bring the whole family, it’s kid friendly and eco-conscious. The intention behind this unique venue, is to bring people together and make them feel like they are a part of something. Not unlike days at the Armadillo World Headquarters where people could relax, enjoy and catch great acts.
We feel that as the world progresses, and the frequency rises, that people have to feel more down to earth, and feel the earth and be at home. We feel we’ve accomplished that here with this unbelievable site – John Paul DeJoria
Keep an ear out! The scope of talent being presented at The Backyard promises to deliver. Talent includes both local and national acts, known as well as up and coming artists. The first show this season opened on Saturday the 21st, with Willie Nelson, Paula Nelson and special guests. Check out the full season lineup at http://thebackyard.net/2011/
“The Backyard” is tailored for our community so come be a part of the history and future of music that Austin prides itself on. Thanks to the people behind the scenes who keep the music playing!
Blog by Lucas
Rachel Ray has been hosting her party at Stubb’s for the past three years which showcases her culinary skills and her husband’s musical talents.
Lines formed well before the doors opened at 10:30 am filled the large open air venue. Rachel “Twittered” that about 5,000 people were in line by 9:00 am.
John Cusimano (Rachel’s husband) and his band, The Cringe played. During the set, Cusimano invited his friend, Billy Gibbons of ZZ Top to the stage.
Gibbons later signed a guitar that will be auctioned off on Ray’s Facebook page for her favorite cause. This was the first year that Feedback fell on St. Patrick’s Day and there was plenty of free drinks to celebrate.
The crowd waited in line for three hours to try the dishes Rachel created especially for
the party: mini corn dogs, brisket on biscuit, sloppy turkey sliders and my favorite,
Rachel came off stage to shoot photos of the bands and the crowd and appeared to be very approachable just like her public image. I loved the atmosphere, the music and great food. Rachel knows how to throw a party!
Blog by Lucas
In one of the more interesting acts, the audience was invited to participate with an imaginary ping-pong ball and paddle. The performers mimed for us to clap in unison. As the rhythm was building, imaginary balls were volleyed back and forth ending in a crescendo of percussion. The performers then proceeded to walk off the stage, into the audience to interact with us. Not your typical Japanese theatrical production.
When we think of Japan, we think tradition. The rigidity of this society permeates the arts. It is customary for Japanese performers to pass down their craft from father to son and female roles have traditionally been played by men. Tao: The Art of the Drum breaks this mold by transforming Japanese themes into a modern rendition. Women have a definitive place on stage as well.
Rather than uphold a tradition, Tao: The Art of Drum is entertainment that aims to delight its audience. The performers vigorously beat the “Taiko” drum, (typically used for traditions and rituals), using all of their body to rhythmically interact with the beat. Choreographed in martial arts style, their highly toned bodies tell their strength.
Tao: The Art of Drum, now considered a top production, is the rage in Japan. It is in a class with American entertainment iconography, think “Stomp” and “Blue Man Group”.
Blog by Lucas
It was one of the biggest draws I’ve seen at the Long Center. Deepak Chopra, M.D., Godfather of the mind, body, medicine movement and author of more than 60 books, begins the evening presentation with an overview on the state of our “well-being”. A timely subject, considering the current state of our health care system. Dr. Chopra urges us to “shift our thinking”, to a new paradigm, that is, to take responsibility for our own health.
As a pioneer, he has carved the path for a generation of practitioners we have today, teachers, healers and medical doctors alike. I remember when his name was just getting out and his revolutionary concepts broke barriers in the medical field. Here we are today, decades later and Dr. Chopra’s insights continue to prove true. Being a yogini, I was thrilled to hear affirmations of my beliefs.
Dr. Chopra explains, if we look at our “physical body as a process” rather than solid matter, we will realize that we are in a constant state of transformation. Our body is continually re-generating. For example, our skeleton system regenerates every three months, our stomach every 6 weeks. Our thoughts, feelings, emotions effect our physiology, either positively or negatively.
From a scientific perspective, if we are constantly changing, then who are we? This is the question of all times. Scientists have no theory for this one, just yet. But new scientific studies are proving we are capable of changing our own genetic code. By intentionally changing our state of being, we can change our DNA. Powerful medicine indeed.
Having practiced yoga (pre-revolution), I know first hand, the transformative power of these yogic principles. We can use meditation to enter into a state of “divine consciousness” to tap our vast resources, “pure potential”, the “infinite mind”. When our mind, body, soul, spirit is connected, it brings us into a state of balance.These principles change our vibratory rate and effectively regulate our genes. Simply put, we can change what is happening in our bodies. It’s exciting to hear Dr. Chopra corroborate that the scientific community is catching up.
Ultimately, Dr. Chopra concludes, the future of well-being is in our own consciousness, this is the evolution of healing. To experience our whole-ness and interconnected-ness, he guides us in a group meditation, asks us to focus on and repeat to ourselves, “I AM”.
Blog by Lucas
Wednesday night at the Gibson Guitar Showroom in South Austin, Grounded in Music’s 2012 Benefit Concert line-up brought us some big names in Country music. Jack Ingram headlining and co-headlining was Hayes Carll. Savannah Berry opened the show, which was then kicked off with a performance by Grounded in Music’s young students and beneficiaries. An inspiring night of music and a rare opportunity to see some of these performers in an intimate setting.
Jack and Hayes have a great rapport and shared some funny stories with us about growing up in the same suburb in north Houston.
Savannah Berry is just 17 years old and a native of Houston, Texas. A powerful and graceful performer, no doubt we will be hearing a lot more from her.
When I spoke with Savannah Berry about why she wanted to be a part of the Grounded in Music Benefit, she said “I wanted to do something good for kids and this benefit spoke to my heart”. “If she had not had music in her own life as a creative outlet, she wouldn’t have had the rich life experiences that come from this passion”. She believes “music brings a heart to heart connection to people and it is a great honor to be a part of this benefit”. Savannah Berry is a testament that music does shape lives.
See a video clip from her performance here.
You can read more about Savannah Berry at http://savannahberrymusic.com
Blog by Lucas