Austin’s Agent Red and Sky Candy collaborated to craft a full-length stage show, adapted from Matthew Pallamary’s award-winning novel “Land Without Evil”. Agent Red and Sky Candy’s co-founder and Artistic Director Chelsea Laumen are directing. Land Without Evil, a collaboration between almost 50 artists, aerialists, dancers, contortionists, performers, singers, musicians, and actors, is showing at The Stateside at the Paramount for 8 select performances from Sat. Dec. 8 – Sun. Dec 16th.
Rehearsals and performance are the subject of the Emmy-winning PBS series Arts in Context, premiering nationally January 2013. The show explores a boy’s conflict between the spiritual beliefs of life in the Mission and the visions of his father, the shaman of a threatened tribe, forced into a perilous journey through the rainforest in a quest for the mythical Land Without Evil. With a narrative richly told through aerials and acrobatics, dance, flow arts, ASL, music, and vocal performance, this visually dynamic show will feature stirring, new music and performance by local artists, including SORNE, and ground-breaking video-mapping by internationally renowned projection artist João Beira, and visionary art provided by Jesse Noemi.
GET TICKETS FOR THE SHOW
It was a great night to mingle with local film talent here in Austin. The 48 Hour Film Project hosted a “Meet n’ Greet” Thursday evening, July 19th at the new event space, “Vuka Co-Op”. (the venue will officially open on August 2nd).
The event brought together filmmakers, sponsors and community supporters.
The objective? To get filmmakers from the greater Austin area to compete to see who can make the best short film in only 48 hours. The winning film will go up against films from around the world. This is a very exciting competition and if you know anything about filmmaking, the pressure will be on.
“The 48 Hour Film Project began in 2001 as a local film challenge in Washington, DC among friends. In 2002, the Project grew to include Atlanta, Austin, Los Angeles, New York and Philadelphia. Since then, it has evolved into a truly global phenomenon and the world’s largest filmmaking competition. 2012 brings a new event producer for Austin, Noelle Schonefeld.”
In 2012, my team and I are working hard to create a fresh, young vibe for the project. The model is “New Crew, Same Rules”. We are focused on fun and are trying to generate a buzz and excitement around the hard work of the filmmakers. Our aim is to expand the reach of the 48HFP to involve as much of the Austin film and art community as possible and to celebrate the process of filmmaking and creativity. – Noelle Schonefeld, Producer of The 48 Hour Film Project.
I’m not surprised that Noelle Schonefeld, along with Christina Martell, were able to pull this wonderful event off with only one months lead time. I’ve had the pleasure of working with Christina and know first hand, she makes things happen!
I met some of Austin’s movers and shakers at this 48 Hour Film Project event. Project Sponsor, Christine Thompson of AMFM Magazine–AMFM Studios attended as well as Media Sponsor, David Wyatt of Wyatt Brand.
Event sponsors included, Guerrilla Camera & Gear@ the Austin School of Film, The Long Center for Performing Arts, Vuka Co-Op, The Scottish Rite Theater and channelAustin.
Also in attendance were Eva and Dave Wolfe, the dynamic force behind St. Elmo Soundstage, a new resource for the Austin Film Community. For more go to: www.saintelmo.info.
I also enjoyed chatting with 48 Hour Film Project Community Partner, Kevin Shaw,
also the Civic Arts Program Coordinator for the City of Austin Cultural Arts Division, (CAD) and of Faces of Austin, a short film program.
Tasty dishes were for sale by Cazamance, www.cazamance.com and DJkidGorilla
kept things Groovin. Complimentary beer and craft cocktails with Tito’s Handmade Vodka were served by Mixologists and donors-in-kind, Zach and Justin of Fragapane Events. Vuka Co-op is a beautiful space to host events, for more info go to: www.vukacoop.com
It was a wonderful opportunity to meet many talented and engaging people in this creative mecca, Austin. The greater Austin community continues to impress with genuine dedication to the Arts as exemplified by The 48 Hour Film Project. A fun night was had by all!
- The next 48 Hour Film Project event is on August 22, for further details go to: www.48hourfilm.com/en/austin and www.austin48hourfilm.com
- The 48 Hour Film Project comes to Austin on the weekend of August 24-26 2012
- Space is limited, Early Bird Registration is $140. Teams must register on or before Monday, July 30 to get this special rate. Regular registration is $160. If teams register after Tuesday, August 14 they must pay a rate of $175.
- Stay connected and learn more with regular posts and resource links at: www.facebook.com/48hourfilmaustin
Blog by Lucas
Just when you think the music couldn’t get any better, it does.
I should know, my first Hot Tuna show was in 1972. Back then I had a seat on stage
(a trunk), behind the band, my uncle being the concert promoter. Mesmerized, I watched the band play with Papa John Creach (former member) on the Fiddle. Today I’m still in awe of these legendary musicians.
I’ve been crossing paths with Hot Tuna ever since. There were my high school years, shows in Commack, Belmont Racetrack (Jorma with rainbow-colored hair), the infamous Lone Star Cafe a few blocks from home in the West Village. There was my neighbor down the hall in the dorm at college, one of Hot Tuna’s future booking agents, now tour manager. The iconic slogans used along the way and the audience screaming, “Hot _’n Tuna”, “Jorma Saves”, “If you don’t know Jorma, you don’t know Jack”, “Got Jorma?”
It was a stellar acoustic show!
And an unusually cool July evening in Austin, set against a beautiful sunset in the Texas
Hill Country. In this incarnation, Hot Tuna was composed of the Acoustic Trio, Jorma Kaukonen, Jack Casady and Barry Mitterhoff. It was my first, I hope of many shows in this intimate setting at the The One World Theater. The co-Founder and Executive Director, Hartt Stearns graciously offered us seats in the front of the house.
Hot Tuna played classics as well as new tunes off the latest studio recording entitled, “Steady As She Goes”, produced by Larry Campbell at Levon Helm’s in Woodstock N.Y.
“We got the wondrous Cindy Cashdollar to sit in with us”– Jorma Kaukonen
Full of good surprises, Hot Tuna brought Cindy Cashdollar out on Dobro and Steel Guitar. Cindy is a stunning talent and adds a wonderful dimension to the Hot Tuna sound. Jorma was thrilled to have her back for the evening (she toured with Hot Tuna in 2006). An Austin resident, be sure to check Cindy out on Wednesdays at The Saxon Pub.
Whether it’s Roots, Blues, Acoustic or Electric, Hot Tuna keeps it fresh. Over the years they’ve had a rotating cast of musicians that have performed with the band. Well known talent such as GE Smith, Charlie Musslewhite, Steve Kimock to Jim Lauderdale and John Hammomd, just to name a few. Back at home in Ohio, Jorma with his wife Vanessa, run a guitar camp at the Fur Peace Ranch. Some of the musicians that tour and record with Hot Tuna are guest teachers at the ranch. If this isn’t enough, Hot Tuna still continues to tour the world, with recent stops in Israel and China.
It was a great evening of old and new friends. I had the pleasure of meeting Cash Edwards, Hot Tuna’s Austin based Publicist for a second time. We first meet at the monthly networking luncheon for Woman in Music Professional Society, (WIMPS). Austin, The Music Capital of the World, is happy Hot Tuna has us back on their touring schedule this year and hope to see them again next tour. Their dedication continues to shine through their music putting big smiles on many faces.
- Steady As She Goes, Top 10, 2011: www.hottuna.com/category/steady-as-she-goes
- Hot Tuna go to: www.hottuna.com
- Fur Peace Ranch: www.furpeaceranch.com
- Cindy Cashdollar go to: www.cindycashdollar.com
- The One World Theater: www.oneworldtheatre.org
Blog by Lucas
On Sunday June 24th, I attended an inspiring night of community, music and art.
It was the 6th Annual Global Roots fundraiser held at CTC Garden in East Austin to benefit the Global Youth Peace Summit. The event was presented by the Amala Foundation along with CTC International, Urban Roots, The Austin Junior Chamber of Commerce, The Khabele School, and Generous Art.
It was certainly a lively and engaging night of live global music. The line up included Bamako Airlines, Minor Mishap Marching Band, Hard Proof Afrobeat. The evening was kicked off with ZaBoomBa: An Interactive Drum Experience, lead by Kenya Masala. He had the crowd drumming in call-and-response style that brought us all into focus.
It was fantastic.
There was a silent auction and an art show presented by Generous Art which included work by Jennifer Chenoweth whom I recognized from the East Austin Studio Tours. Aside from being an accomplished artist, she cooks a great Posole, but that’s another blog. Speaking of food, delicious Indian cuisine was available on sight, à la Austin trailer style. I enjoyed a plate of spicy lamb stew and rice among good company.
This year’s Global Youth Peace Summit, August 12-19th will unite 70 youth from 25+ different countries for an 8-day youth summit devoted to cultural exchange, heart-centered dialogue, healing, and exploration of self and world.
As of post date, The Amala Foundation raised $4,000 which will enable them to purchase airline tickets so that two Kenyan youth will be able to attend this year’s Global Youth Peace Summit. While they have yet to raise enough money to cover their passport, visa and scholarship fees, we trust that this funding is on its way ($2500 additional).
It was a delight to meet Maya Adjani, of Breathe, Eat, Dance, Evolve and to sample her home-made raw chocolates.
If you feel inspired to help support these youth as well as other under-served, local and international children in their efforts to make a difference in their communities and in their lives, you can make a tax-deductible donation by visit: www.amalafoundation.org/donate.
For more about the Amala Foundation and the Global Youth Peace Summit
Blog by Lucas
As part of our effort to expand Austin Creative Alliances’ support of the greater creative community, we are happy to showcase one of our newest, local fashion designers.
I met up with Csilla while she was hard at work cutting fabric for her next pattern. It’s impressive to meet this “hands-on” designer that retains a craft we rarely see in American-made fashion. As a young girl watching her grandmother sew, Csilla soon learned the skill. She explains that her passion for clothing design began while in High School, when she began making her own wardrobe and her own fashion statement. It blossomed from there.
“For my summer job at a local high-end boutique and seeing those cool clothes in the boutique gave her the idea. I put two and two together and bought one yard of fabric here and there and made a new dress or top every day through that summer”.
As a student at University of Texas, Csilla studied Interior Design and subsequently moved to New York to pursue a fashion career. Beginning with studies at Fashion Institute of Technology, lead to an internship with Nautica and eventually full-time positions with Liz Clairborne and Macy’s. After years of working in the corporate world, Csilla felt it was time for a change. With the support of her sister and friends she took the leap and went out on her own. CsillaWear was launched in New York City.
A Night to Indulge in Fashion and Beauty: CsillaWear recently hosted a fitting party to introduce her line to the broader Austin community where woman were invited to try-on the variety of her styles.
Csilla’s designs are inspired by fabric, movement and silhouettes. She chooses an array of lively, colorful patterns to create fun to wear, elegant designs. Her international background influences her sophisticated styles, while all her creations have a natural, easy fit. Perfect for Austin.
Professional hair stylist, Deborah Lira and makeup artist, Lecia Harkins of Russ and Company Salon www.russandcompanysalon.com were also on site for all to enjoy a fresh look along with these stunning designs.
If you are looking for fashion with ease, dress it up or down, this is the place to shop, you’ll want to add a few styles to your wardrobe. Stop by and meet the lovely designer behind CsillaWear. Located at 504 Congress Ave. (at 5th St), Austin, TX. Hours M-F 11- 6pm, Saturdays 11-4pm.
Blog by Lucas
I spoke with NYC based Paul Bright about his most recent project, a sci-fi feature film called “Goliad Uprising.” This is his sixth feature film and is set to premiere June 21st at the Spirit Theater at the Bob Bullock Museum in Austin at 7:30 p.m.
Tell me about your film and why you choose the name “Goliad Uprising”?
The film is really a David and Goliath story. It’s about a small underground group of people who are trying to fight a large corporation. Goliad and the name Goliath are so very similar, they kinda suggest alliance. The town of Goliad in Texas where the local citizens were revolting against the government in power at the time, in this case, the Mexican Government. So it has a similar tale in some ways and the local citizens were rising up to assert their rights to gain their freedom. That’s why I thought “Goliad Uprising” was an appropriate title for the film.
How have recent events such as “The Occupy Movement”, “Arab Spring” and the “Syrian Rebellion” all which have been supported through Social Networking sites, make your film more timely?
When I wrote the script it was before anything was coming about in the Arab Spring and certainly before the Occupy Wall Street came into play. The script is about how large media in the United States influencing how people think and feel about whats going on in the world based on the information that they give or that they fail to give.
What I’ve been seeing is that our country has become very polarized in terms of personal opinion but a lot of that has to do with the fact that people aren’t really getting the whole story or balanced views from the media.
Whats going on with the Arab Spring and Occupy Movement is that there is a whole group of people who are rebelling against the people who are in power in each of these countries and It’s very similar to what’s going on in the film “Goliad Uprising”.
The way “Goliad Uprising” originally came about is that I noticed that in the United States, people were starting to protest at political rallies and they were being arrested and tasered and dragged off. I am a bleeding heart liberal, I will gladly admit to that. However, what I was seeing is at these rallies was that people who were not protesting, the people who I thought would be concerned and empathetic to different points of view of those who were demonstrating, were not at all. The security was in fact very harsh to the people who were very silently standing up and protesting.
So I realized that we have a real problem in our own country here…that it’s no longer acceptable to even exercise our first amendment rights of disagreeing and the act of disagreeing somehow becomes an illegal act. and so that is why I wrote this film as a statement of protest of how our society is evolving and starting to accept that we will approve of and tolerate and go along with whatever the people in power are doing.
How do you see Social Networking movements like the “Goliad Uprising” fitting into the plans for your movie?
In the story of the film, the way the rebels, the protesters are getting together is through tweets and online text messages and basically having flash mobs. Same that was going on with the uprisings in the Arab World, the Middle East, is that people were finding a place to protest because it’s so easy and instantaneous nature a lot of this can take place anonymously allows people to gather very quickly and protest. Much can be done without having to risk the full extent of one’s identity. That is very similar to what’s going on in the storyline of the film, people are able to get together rather quickly using social media. In the film, even just the basic nature gathering together just to do this, they put on a performance rallying people around realizing and informing them that the technology is very dangerous. Just the simple act of stating this, is ruled to be illegal. Compare it to a fire in a theater, in the film there are 4 police raids and people are being held down because they are there to protest the power of this corporation.
How do you see media sites assisting you in your endeavor?
It’s about spreading the word. It also gives people a chance to interact back and to give feedback to what their experiences are in life. Social Media has put me in contact with people who have seen his films literally, all over the world. I hear from them what they think about the movie and what issues are going on in their lives, their concerns. By interacting this way and commenting on each others’s posts with the these people in the greater community, separates it from broadcast media which simply puts the news out there and there no way to hear your audience.
In the film world, what has happened very recently, within the last couple of years, is that filmmakers are starting to realize that the only way that we can do our work is with the support of our community.
This film, “Goliad Uprising” was funded entirely by donors who came to him through his social media contacts, through Facebook none of which he knew personally, at all. This was all from people who he meet online and who have supported his work in the past by watching it and wanted to see me continue to make these stories that they relate to that mean something to them.
Why did you choose Austin for the premiere?
Well that’s a no brainer, Austin is where the film was shot, there are 97 actors in the film and most of them are from Austin and it is where I have shot my previous 5 films. Austin is known for being a really cool town and very receptive to film.
Yes, Austin has a reputation for being loved, people say good things about Austin.
For detailed information on the screening go to: www.nowplayingaustin.com/event/detail/441586509/GOLIAD_UPRISING_World_Premiere
Also see Facebook page: /www.facebook.com/goliaduprising
Blog by Lucas
Interview courtesy of AM/FM Magazine
Habitable Spaces Project is a self-sustaining farm and artists residency in Kingsbury Texas, located about one hour South East of Austin and occupies approximately 120 acres.
I spoke with the founding directors, Alison Ward and Shane Heinemeier. Shane is a native Texan and painter, Alison is a sculptor, performance and video artist. Together they bring a range of resources, talent and experience to the project. The idea for Habitable Spaces Project began in NYC, where they both participated in the artists collective/residency program at the Flux Factory, www.fluxfactory.org
Alison had another “off the grid” experience at the Waterpod Project, www.thewaterpod.org While living on a barge for five months, she with the other inhabitants embraced community living, self-reliance, resourcefulness, human expression and creative exploration. “Working in a collective atmosphere with other artists was informative and inspiring” and this is what fuels their vision for the Habitable Spaces Project.
The Habitable Spaces Project was Alison and Shane’s “natural next step” in their evolution as artists. They believe this project can bring awareness to the greater art world by example, “Art as Life, Life as Art”. “Alison explains, “Art has become separated from life and is isolated in museums and galleries.” Habitable Spaces Project will offer an experience of “living art” by making every action thoughtful and creative. An example of this maybe in the way one chooses to farm, compare this to how a painter might contemplate a stroke on a canvas.
Habitable Spaces Project offers a place for artists to expand on their creativity and integrate this with everyday living on the land. It’s a place for exploring new techniques and practices by implementing sustainable solutions.
Ben Devoe and Dave Perez, traveled from NYC and were the first team on site to construct the initial structures at Kingsbury. Their task was to build shelter and work spaces while living off the land. Building required resourcefulness, using mostly dead trees left from the previous years drought, which served as posts for the kitchen structure and were tied with rope. Scrap pallets from a local business served to build a tool shed. Dave Perez tells me that “Living off the land and hunting for food heightened his experience of survival, this experience really brought everyone together.”
Still in early stages of development, there is hard work ahead. Water, outhouses and recycling need to be thought out. To follow the progress of the Habitable Spaces Project, or to get involved, go to http://www.habitablespaces.org
Blog by Lucas